London's paintings are rendered in a style that combines contemporary graphic design and American Pop Art.
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London's paintings are rendered in a style that combines contemporary graphic design and American Pop Art.
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Luis London comes from a traditional illustration and graphic design background.
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Inspired by vintage commercial signage in Montreal, Clement Yeh creates large wood sculptures that employ a visual language stripped of all commercial value.
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Charles Orme is an artist whose training involved "seeing, drawing, painting and writing, respectively" and a manufacturer of stainless steel, stone and bronze for sculptor Christopher Curtis (West Branch Gallery and Sculpture Park, Stowe, Vermont)
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Px(c) uses popular culture images because people can relate easily to them. But when they see that the reconstructed meaning doesn’t make sense, they might question themselves and that’s when it becomes interesting.
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The dual roles of artist and curator give Karen M. Geiger a broad perspective on the practice of contemporary art and its roots in art history. Trained at the University of Vermont in studio art and art history, Geiger works in multiple media: acrylic painting, photography, installation, sculpture, and drawing. She is, essentially, a...
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In "Water Atlas," Colin-Patrick Charles offers dazzling ink-on-paper drawings inspired by 17th & 18th century engravings of maps and contemporary comic book drafting.
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Colin-Patrick Charles draws with India ink on paper and his work often looks more like etchings than drawings. The lines are precise. His composition is dynamic.
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A consummate traveler, Carl David Ruttan makes collages with graphic ephemera he finds along the way: Chinese cigarette cartons, Indian candy wrappers, torn bits of music posters from the street.
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Yvon Goulet presents daily reality and features the male body. In his works, he represents the symbols, the uniforms and fantasies which are specific to the gay culture. In so doing, he takes situations and imagery reserved for the few and makes them accessible to all.
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